Ashraf Hanna
“Growing up in Egypt I was surrounded by pottery forms that have changed little since the ancient times, classical forms that have filtered through the ages, touched and formed by the hand of the potter. These forms were functional storage jars and water cooling urns. It was not however until I went to El Minia College of Fine Arts that I started to really look at them. Close observation during drawing classes of still life compositions opened my eyes to the beauty and contentment that exist within a well considered and executed form.
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35. Yellow cut and altered vessel £3,250.00
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28. Cream deconstructed and altered vessel £2,000.00
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39. Tall black cut & altered vessel£3,750.00
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10. Yellow cut and altered pinch pot III£425.00
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15. Grey cut and altered pinch pot III£550.00
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31. Grey cut and altered vessel£1,800.00
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18. Black cut and altered pot II£800.00
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29. Black deconstructed and altered vessel£2,400.00
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21. White undulating vessel with triangular base £900.00
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22. Purple haze undulating vessel with triangular base £900.00
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19. Yellow undulating vessel with triangular base£900.00
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20. Grey undulating vessel with triangular base £900.00
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23. Black undulating vessel with triangular base £900.00
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17. Black cut and altered pot I£800.00
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6. Black cut and altered pinch pot II£325.00
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40. Large black cut & altered vessel£5,000.00
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14. Yellow cut and altered pinch pot V£450.00
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25. Yellow deconstructed and altered pinch pot£500.00
Drawing is fundamental in training our eyes to see, the action of trying to pick up a line from a three dimensional object and marking it down on a paper is a powerful gesture that surpasses the basic skill, a projection of a line that becomes etched in our psyche as we forge an emotional and intellectual bond with such object.
The long hours spent in the drawing studio not only developed the skill needed to make a mark but, more importantly, it was a time of meditation, allowing me to free my mind from preconceptions that normally govern our perception of functional pottery. It had become increasingly obvious that objects derive their value not only from certain inherent qualities and attributes but, crucially, also from how we relate to them in a particular context. This has initiated and shaped my relationship with pottery forms ever since, seeing them as a vehicle of creativity worthy of contemplation.”
– Ashraf Hanna
Education
2011 MA RCA Ceramics & Glass
Awards
Collections
Solo Exhibitions
2021
Selected Exhibitions